Photos from Nixon Art Mosh.
Saturday, September 4, 2010
Friday, September 3, 2010
Nixon Art Mosh
The Nixon Art Mosh is a global, rotating art installation featuring artwork from Nixon team riders, friends and family and is open for one night only. Previous Art Mosh stops have included installations in Paris, Vancouver, New York City, San Diego, London and Dublin. Singapore marks the first stop of The Art Mosh in South East Asia and will be followed up later in the
month with a stopover in New York City on Friday, September 17.
Perspective is feature with a whole list of other artists and designer such as Craig Wetherby (USA), Nick Denambride (USA), Adeline Tan, Adrian Chan, AndyYang, Brick, Debra Raymond, Jamie Paul, Gerson Gilrandy, Paul Tan, pixelmunky, Mr.B, Harrison Love, Isabel Lofgren, Ivonne Adel - Bureos, Izzy As’ari, Kenny Chua, Kristal Melson, Mind_yer, Mojoko, Nataliette, Nazneen Aziz,Oats & Sparkle, Rick Treweek, Eeshaun, Race Krehel, Shawn Lim, Sheryo, Soh Jun Hao, Speak Cryptic, vectorsum, Winnie Goh, Zahir Sanosi and zxerokool.
Date: Sat 03/09/2010
Place: OLD SCHOOL at Mount Sophia
Time: 7pm till late.
Saturday, July 3, 2010
Sunday, April 4, 2010
Wednesday, March 31, 2010
Tuesday, March 30, 2010
Pameran Poskad 2010 – Roy Wang
Pameran Poskad is an exhibition of postcard sized artworks that is open to anyone and
everyone that would like to participate.
Exhibition: 18 April to 1 May 2010
Opening Party: 17 April, 6-9pm
Preview: 17 April, 3pm
Check out & purchase the following shot by a good friend of mine; Roy Wang (Factory 16 11)
everyone that would like to participate.
Exhibition: 18 April to 1 May 2010
Opening Party: 17 April, 6-9pm
Preview: 17 April, 3pm
Check out & purchase the following shot by a good friend of mine; Roy Wang (Factory 16 11)
Monday, March 29, 2010
Sunday, March 28, 2010
ILFORD HP5 & FP4
A series of black and white prints shot on ilford films with a Canon FM-3A.
Here are the prints drying on the rack.. more close-ups coming up soon!
Here are the prints drying on the rack.. more close-ups coming up soon!
Wednesday, March 10, 2010
Wednesday, March 3, 2010
Read this somewhere, very inspirational for me. Thought i share this with everyone.
I have only done what I found to be beautiful at the time.
And there was a big backlash against this.
Almost for the first time, I learned that beautiful things to me are
not necessarily beautiful to everyone else, but they could well be
something very scary.
That, as a result, inflamed me to go on and stimulated my following
creations.
I would never be content making garments everyone else finds beautiful.
Instead, I became defiant asking people why they don't understand this.
Something may be annoying you at the moment, or you may think
something is wrong with the world.
These feelings could become an ingredient for my creation.
It means that even things-yet-to-have-form could possibly be designed.
You feel something; a variety of factors influences each other;
overlap each other or are created through a series of accidents.
It is something that comes about from the sequence.
It could also be anger, a motivation for new ideas, or a desire to
make strangly shaped clothes.
Some patterners spend a couple of weeks in agony.
That's suffering.
If we just followed design drawings, it would be easy-peasy for
everyone here.
At the start, I am not exactly certain what I am thinking my self.
It is guess work with us.
Patterners, at this stage, are at liberty to agonize over the theme I
have given them.
You can't create anything new any other way.
We may, as a result, see what we have never seen before.
Just defining new lines and making paper pattenrs is not design.
Although designing a silhoutte used to be enough, design will be more
than that from now on.
It starts as an invisible concept without a shape.
The concept could be anger, evergy or an inspiration to make something
strangely shaped.
I don't explain any more that that to my staff.
We all start from there.
We have no time orthought to spare.
Nothing comes out until the last minute.
If you want to make something new, your long experience will hinder
your new approach and make the situation difficult.
"Excitement" and "Pleasure" don't describe enough how we fell.
Suppose everyone likes my collection and says "The show was great" and
"The clothes were beautiful," then I become very uneasy.
I would hate myself for having made something so easy to understand.
There is always a sence of crises.
The fear of not knowing how much longer I will be able to continue to
create.
If we made clothes that are easily understood and likely to sell well,
there would be no place for COMME des GARCONS.
Traditional values have existed for a long time.
I wasn't aware of this my self , but I bounced whatever I found
interesting and beautiful off Paris.
But that was not something they wanted to recognise there.
I was cumbersome to those traditionalists hoping to hold on to their
values.
After a while, that which was hated became recognised as being
something beatiful.
Many young people started working with and sharing the values I
appreciate.
I may have achieved something, however small.
One of the aims for my work is to be influential in this way.
I don't know If I can do that though.
I wish I could find even newer values.
I would very much like to find them.
REI KAWAKUBO
I have only done what I found to be beautiful at the time.
And there was a big backlash against this.
Almost for the first time, I learned that beautiful things to me are
not necessarily beautiful to everyone else, but they could well be
something very scary.
That, as a result, inflamed me to go on and stimulated my following
creations.
I would never be content making garments everyone else finds beautiful.
Instead, I became defiant asking people why they don't understand this.
Something may be annoying you at the moment, or you may think
something is wrong with the world.
These feelings could become an ingredient for my creation.
It means that even things-yet-to-have-form could possibly be designed.
You feel something; a variety of factors influences each other;
overlap each other or are created through a series of accidents.
It is something that comes about from the sequence.
It could also be anger, a motivation for new ideas, or a desire to
make strangly shaped clothes.
Some patterners spend a couple of weeks in agony.
That's suffering.
If we just followed design drawings, it would be easy-peasy for
everyone here.
At the start, I am not exactly certain what I am thinking my self.
It is guess work with us.
Patterners, at this stage, are at liberty to agonize over the theme I
have given them.
You can't create anything new any other way.
We may, as a result, see what we have never seen before.
Just defining new lines and making paper pattenrs is not design.
Although designing a silhoutte used to be enough, design will be more
than that from now on.
It starts as an invisible concept without a shape.
The concept could be anger, evergy or an inspiration to make something
strangely shaped.
I don't explain any more that that to my staff.
We all start from there.
We have no time orthought to spare.
Nothing comes out until the last minute.
If you want to make something new, your long experience will hinder
your new approach and make the situation difficult.
"Excitement" and "Pleasure" don't describe enough how we fell.
Suppose everyone likes my collection and says "The show was great" and
"The clothes were beautiful," then I become very uneasy.
I would hate myself for having made something so easy to understand.
There is always a sence of crises.
The fear of not knowing how much longer I will be able to continue to
create.
If we made clothes that are easily understood and likely to sell well,
there would be no place for COMME des GARCONS.
Traditional values have existed for a long time.
I wasn't aware of this my self , but I bounced whatever I found
interesting and beautiful off Paris.
But that was not something they wanted to recognise there.
I was cumbersome to those traditionalists hoping to hold on to their
values.
After a while, that which was hated became recognised as being
something beatiful.
Many young people started working with and sharing the values I
appreciate.
I may have achieved something, however small.
One of the aims for my work is to be influential in this way.
I don't know If I can do that though.
I wish I could find even newer values.
I would very much like to find them.
REI KAWAKUBO
Tuesday, February 23, 2010
Skateboard Design
We are very excited to have been invited by DC to be part of the upcoming DC x ROYALEFAM skateboard art project! We are among 20 artists selected to apply custom designs to the provided blank decks with the theme revolving around "The Fly" which is also the sneaker / apparel collaboration between DC & SBTG. The custom skateboard designs will be displayed to the public during the launch party held on 13th March @ Rebel Boutique Club, we are currently cracking our brains over the design, hopefully it will turn out awesome, hope to see you guys at the party!
Saturday, February 13, 2010
Bob Dylan - Isis
He said, "Are you lookin' for somethin' easy to catch?"
I said, "I got no money." He said, "That ain't necessary."
I said, "I got no money." He said, "That ain't necessary."
Friday, February 12, 2010
Kian.C for Frontal iFM
Article from Frontal iFM
Influences from Underworld and Digital Witchcraft got into Kian. At the age of 15 and in the realm of electronic dance music, he has never once stopped his love for it.
In just one year, self taught Kian.C aka DJ Kian exploded into the scene with his unique and infectious blend of Uplifting House, Electro, Minimal Techno, Nu Disco to Techno. In 2008 during his first public appearance behind the deck, he had won himself as 2nd runner up in Pioneer DJ Battle. Further on, he battled out at the JUICE DJ Quest and won a spot in the finals alongside with established and more experienced professional alike.
His great passion for music had earned him again a final spot in 2009 JUICE DJ Quest, which ultimately placed him as first runner-up. His performance always fused with adrenaline and often set the crowd to take note of this new kid on the block, which later had earned him a first gig at Butter Factory’s “BitchFight” and later on in various infamous clubs like Zouk Club (KL), Zouk Club, Phuture (SG) Ministry of Sound (SG), Mimoletter and Zanetti.
With his constant effort and positive passion for music, Kian wants to continue to share his vision and influence his listeners with what he does best. Some of his late-night muses include Daft Punk, Boy Noize, Popof, Deadmau5, Laidback Luke, Paul Kalkbrenner, Calvin Harris and Justice. One should never be confined to a single genre, which Kian promises to surprise his audience with ultimate smash up and amalgamation of bleep and beep tunes.
With the supports of his peers and local professional alikes, he is now ever more determine and ready to take his blend of head-popping music to the dancefloor.
DOWNLOAD MIX: Trip on My Synthesizer Vol.2
